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Danh ngôn của Alejandro Gonzalez Inarritu (Sứ mệnh: 8)

I have a notebook, and I know what decisions will be made in pre-production. Everything is pre-determined in the pre-production period. I visually design the whole thing, and I know when things will happen.
The visual architecture of 'Biutiful' is the most sophisticated of all the films I have directed.
Innocence can be more powerful than experience.
Too much knowledge and analysis can be paralysis.
Life and death are illusions. We are in a constant state of transformation.
When I was sixteen, I was an absolutely romantic guy. I fell in love every week. I mean, I was in love with everybody, but unfortunately, nobody was in love with me.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
To make a film is easy; to make a good film is war. To make a very good film is a miracle.
'Amores Perros' is three stories that interconnect in one moment, which is the car accident.
The creative process is mysterious; a conversation, a ride in the car, or a melody can trigger something.
I've learned to lose with a smile on my face. That's what the Oscar teaches you.
When you see things upside down, the ego can be extraordinarily funny; it's absurd. But it's tragic at the same time.