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Danh ngôn của Edward Burtynsky (Sứ mệnh: 3)

In film, you can create the illusion of time and space. People speak; characters reveal their feelings. You can use music, which informs how you should be feeling, and it carries you to the right emotional space.
One thing that's consistent in all of my work is that these aren't accidents; they're all conscious landscapes. They're all things that we're doing and that we have done through our legal and social systems and structures of capitalism.
Good governance takes behavior that is negative or not helpful to the greater good of society, whether it's polluting behaviour, plastics, or whatever, and taxes the behaviour.
I think the environmental movement has failed in that it's used the stick too much; it's used the apocalyptic tone too much; it hasn't sold the positive aspects of being environmentally concerned and trying to pull us out.
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.