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Danh ngôn của Matt Dillon (Sứ mệnh: 3)

These are people who haven't gone through the legal means to becoming citizens like our forefathers did. They want all the benefits but none of the responsibilities.
The first music I was ever exposed to was Irish folk music, like the Clancy Brothers. My father plays that and Christmas songs.
Those are the kinds of roles you can really sink your teeth into. Characters with an edge. When you're playing someone who's sort of seedy, there's less limitation, there's so much space you can travel. There's room to move in.
One of my greatest fears is not being able to change, to be caught in a never-ending cycle of sameness. Growth is so important.
I don't know why, but audiences are often sympathetic to thieves. Sometimes they are more sympathetic to thieves then they are to earnest people. What does that say about society?
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
People get really nuts around cars. They get angry at cars, they get angry at their car, they get angry at people driving in cars; there's something really comical about that, about automobiles.