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Danh ngôn của Philippe Petit (Sứ mệnh: 8)

Death frames the high wire. But I don't see myself as taking risks. I do all of the preparations that a non-death seeker would do.
When I was six years old, I fell in love with magic. For Christmas, I got a magic box and a very old book on card manipulation. Somehow, I was more interested in pure manipulation than in all the silly little tricks in the box.
Every year, I am conscious of the anniversary of my 1974 World Trade Center walk.
If I have to make a self-portrait, I would put poetry and rebellion on the list. To be able to walk on a wire, to be able to juggle six hoops, you need focus, another word for tenacity, which is passion.
Fame was never something I was seeking in my artistic journey. It's to be used as a tool for an artist to break open doors and keep creating. That's how I enjoyed fame in '74; it was not just for the emptiness of being famous.
If you see how carefully I prepare for any kind of walk, legal or illegal, small or big, you will see that, actually, I narrow the unknown to virtually nothing. And that's when I am ready to walk on the wire.