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Danh ngôn của Wole Soyinka
(Sứ mệnh: 5)
And I believe that the best learning process of any kind of craft is just to look at the work of others.
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms.
But when you're deprived of it for a lengthy period then you value human companionship. But you have to survive and so you devise all kinds of mental exercises and it's amazing.
I grew up in an atmosphere where words were an integral part of culture.
I'm not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I've never understood.
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
Power is domination, control, and therefore a very selective form of truth which is a lie.
Well, the first thing is that truth and power for me form an antithesis, an antagonism, which will hardly ever be resolved. I can define in fact, can simplify the history of human society, the evolution of human society, as a contest between power and freedom.
The greatest threat to freedom is the absence of criticism.
Books and all forms of writing are terror to those who wish to suppress the truth.
Looking at faces of people, one gets the feeling there's a lot of work to be done.
There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?
Education is lacking in most of those who pontificate.
Given the scale of trauma caused by the genocide, Rwanda has indicated that however thin the hope of a community can be, a hero always emerges. Although no one can dare claim that it is now a perfect state, and that no more work is needed, Rwanda has risen from the ashes as a model or truth and reconciliation.
Each time I think I've created time for myself, along comes a throwback to disrupt my private space.
One's own self-worth is tied to the worth of the community to which one belongs, which is intimately connected to humanity in general. What happens in Darfur becomes an assault on my own community, and on me as an individual. That's what the human family is all about.
Under a dictatorship, a nation ceases to exist. All that remains is a fiefdom, a planet of slaves regimented by aliens from outer space.
I take friendship very seriously.
I like my peace and quiet whenever I can grab it.
My father was a schoolteacher, and so I had the advantage of both western educational instruction in the school, as well as what you might call the process of imbibing the traditional processes of education instruction around me.
I love beauty. But I like the beauty accidentally, not dished up, served up on a platter.
I'm an Afro-realist. I take what comes, and I do my best to affect what is unacceptable in society.
Those nations that say it's a crime to preach your religion are making a terrible mistake. All they're doing is driving underground other forms of spiritual intuitions and practices.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
There is something really horrific for any human being who feels he is being consumed by other people. I'm talking about a writer's critics, who don't address what you've written, but want to probe into your existence and magnify the trivia of your life without any sense of humor, without any sense of context.