Danh ngôn của Arthur Erickson
After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.
After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.
Sau năm 1980, bạn không bao giờ nghe nhắc đến không gian nữa. Bề mặt, bằng chứng thuyết phục nhất về sự đi xuống của chủ nghĩa duy vật, đã trở thành tâm điểm của thiết kế. Không gian biến mất.
Tác giả: Arthur Erickson | Chuyên mục: Design | Sứ mệnh: [9]
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Các câu danh ngôn khác của cùng tác giả: Arthur Erickson
- Architecture doesn't come from theory. You don't think your way through a building.
- Does an architecture to assuage the spirit have a place?
- Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
- Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
- No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
Các câu danh ngôn khác của cùng chuyên mục: Design
- I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
- What's nice about experiments is that they are much more closely tied to what theorists think about the world than normal empirical research. You can design your experiment to exactly ask the question you want to ask. This is not true about normal empirical research.
- Every step and every movement of the multitude, even in what are termed enlightened ages, are made with equal blindness to the future; and nations stumble upon establishments, which are indeed the result of human action, but not the execution of any human design.
- Flawed Design' is a song on the record and it explores why people feel a need to present themselves maybe not necessarily as what they actually are. It seems like in society, a lot of people want to be or try to be perfect.
- I wrote a song on the record called 'Flawed Design' and it's basically looking at that, and it was just exploring how everybody obviously has flaws. I think to embrace those flaws - enjoy them, embrace them - and actually be a real person is something that a lot of people struggle with, myself included.