Danh ngôn của Eva Zeisel

Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
Chủ nghĩa hiện đại, nổi loạn chống lại sự trang trí của thế kỷ 19, đã hạn chế vốn từ vựng của nhà thiết kế. Chủ nghĩa hiện đại nhấn mạnh những đường thẳng, loại bỏ đường cong chữ S đầy biểu cảm. Điều này khiến việc truyền đạt cảm xúc thông qua thiết kế trở nên khó khăn hơn.
Tác giả: Eva Zeisel | Chuyên mục: Design | Sứ mệnh: [5]
Tìm kiếm kiến thức và thông tin về Eva Zeisel từ chuyên trang Kabala Tra Cứu. Nếu bạn không tìm được thông tin phù hợp, hãy liên hệ: [email protected]
Các câu danh ngôn khác của cùng tác giả: Eva Zeisel
- I don't like to design single objects. I like my pieces to have a relationship to each other. They can be mother and child, like the Schmoo salt and pepper shakers, or brother and sister like the Birdie salt and peppers, or cousins, like most of my dinnerware sets.
- When I design something, I think of it as a gift to somebody else.
- Men have no concept of how to design things for the home. Women should design the things they use.
Các câu danh ngôn khác của cùng chuyên mục: Design
- I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
- What's nice about experiments is that they are much more closely tied to what theorists think about the world than normal empirical research. You can design your experiment to exactly ask the question you want to ask. This is not true about normal empirical research.
- Every step and every movement of the multitude, even in what are termed enlightened ages, are made with equal blindness to the future; and nations stumble upon establishments, which are indeed the result of human action, but not the execution of any human design.
- Flawed Design' is a song on the record and it explores why people feel a need to present themselves maybe not necessarily as what they actually are. It seems like in society, a lot of people want to be or try to be perfect.
- I wrote a song on the record called 'Flawed Design' and it's basically looking at that, and it was just exploring how everybody obviously has flaws. I think to embrace those flaws - enjoy them, embrace them - and actually be a real person is something that a lot of people struggle with, myself included.