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Danh ngôn của Michael Arad (Sứ mệnh: 3)

When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it's a leap of faith that I didn't want to make initially - to put it mildly.
For two years nobody talked about anything other than the name arrangement. There was no fund-raising and no progress being made on construction and design.
How do you design it so that people can form a space of their own, and feel quiet and contemplative?
I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.
As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is something that intrigues me very much.