Danh ngôn của Michael Arad
I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.
I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.
Tôi thực sự đánh giá cao các nghệ sĩ của thế kỷ 20 và tôi có thể thấy rất nhiều ảnh hưởng của họ đối với tác phẩm của tôi, nhưng việc cho rằng thiết kế của tôi chỉ phù hợp với một kiểu 'chủ nghĩa' khiến tôi khó chịu.
Tác giả: Michael Arad | Chuyên mục: Design | Sứ mệnh: [3]
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Các câu danh ngôn khác của cùng tác giả: Michael Arad
- When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it's a leap of faith that I didn't want to make initially - to put it mildly.
- For two years nobody talked about anything other than the name arrangement. There was no fund-raising and no progress being made on construction and design.
- How do you design it so that people can form a space of their own, and feel quiet and contemplative?
- As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is something that intrigues me very much.
Các câu danh ngôn khác của cùng chuyên mục: Design
- I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
- What's nice about experiments is that they are much more closely tied to what theorists think about the world than normal empirical research. You can design your experiment to exactly ask the question you want to ask. This is not true about normal empirical research.
- Every step and every movement of the multitude, even in what are termed enlightened ages, are made with equal blindness to the future; and nations stumble upon establishments, which are indeed the result of human action, but not the execution of any human design.
- Flawed Design' is a song on the record and it explores why people feel a need to present themselves maybe not necessarily as what they actually are. It seems like in society, a lot of people want to be or try to be perfect.
- I wrote a song on the record called 'Flawed Design' and it's basically looking at that, and it was just exploring how everybody obviously has flaws. I think to embrace those flaws - enjoy them, embrace them - and actually be a real person is something that a lot of people struggle with, myself included.