We are all afraid for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do.
I grew up in this room filled with musical instruments, but most importantly, I had a family who encouraged me to invest in my own imagination, and so things I created, things I built were good things to be building just because I was making them, and I think that's such an important idea.
I grew up with interesting and funny people. We made our own fun. You had to use your imagination.
A person possessed with an idea cannot be reasoned with.
The really great writers are people like Emily Bronte who sit in a room and write out of their limited experience and unlimited imagination.
In rising financial markets, the world is forever new. The bull or optimist has no eyes for past or present, but only for the future, where streams of revenue play in his imagination.
Nature's imagination is so boundless compared to our own meager human imagination.
And, as I have said, it's made me think twice about the imagination. If the spirits aren't external, how astonishing the mediums become! Victor Hugo said of his voices that they were like his own mental powers multiplied by five.
Solitude is as needful to the imagination as society is wholesome for the character.
But who can paint like Nature? Can imagination boast, amid its gay creation, hues like hers?
I've never really had a problem with the imagination level of an audience. They're always smarter and savvier than any studio exec will give them credit for.
Richard Hugo taught me that anyone with a desire to write, an ear for language and a bit of imagination could become a writer. He also, in a way, gave me permission to write about northern Montana.
The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University; so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.
I believe that imagination inspires nations. It's something that I live by.
Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.
Another side to me is this very sexual being. When I look back on my life, it's always been there. It's been there since I was 10 years old, having the imagination that I had.
I had a pretty sexual imagination for a kid.
A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment.
I can get very philosophical and ask the questions Keats was asking as a young guy. What are we here for? What's a soul? What's it all about? What is thinking about, imagination?
There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.
I feel that directors at times are like the janitors on the set. I am the secretary, I am the organizer, I am the maid, and I ask if they have eaten or rested. The best things are always out of your control. It's those moments that surpass the imagination that are thrilling.
I have a very vivid imagination.
Using my imagination and creativity is exciting to me.
Pulp existed for 12 years before we got famous. Now, you could say that was just lack of imagination, but it's some kind of quality isn't it? Tenacity. You could also say it was sloth.
I'm glad to have grown up in the countryside and played, and had to use my imagination rather than a TV and had to learn to act the hard way, to have dealt with the rejection. It's a life as well as a job, at the end the day, we all have to work for a living, but we have to have a life as well.
For me, it's always a failure of the imagination. I have that anxiety that time is passing, that everything is ultimately fleeting and impermanent. I better take advantage of every single moment.
If you got a good imagination, a lot of confidence and you kind of know what you are saying, then you might be able to do it. I know a lot of colorful characters at home that would make great actors.
I was raised not to be afraid to show emotion or imagination.
I'm not a perfect human being by any stretch of the imagination. But there is always this little voice inside of me that keeps me where I know I need to be.
Mine is not an autonomous imagination.
All of imagination - everything that we think, we feel, we sense - comes through the human brain. And once we create new patterns in this brain, once we shape the brain in a new way, it never returns to its original shape.
I never had the financial means that the media said I had. I laugh when I hear the amounts, $400 million, $800 million. Where do they get this imagination?
The world of reality has its limits; the world of imagination is boundless.
For me, insanity is super sanity. The normal is psychotic. Normal means lack of imagination, lack of creativity.
What I love most about animation is, it's a team sport, and everything we do is about pure imagination.
You have to come in and be that character when you walk into the room. That's what one of my first acting teachers taught me. You know, don't go in there being Jennifer and then expect to flip and change, because they're not going to have that imagination.
The costume that I wear on the show is a little snug and doesn't leave a whole lot to the imagination. I don't have a problem with it because of the way this character's been written.
Make sure you visualize what you really want, not what someone else wants for you.
You will recognize your own path when you come upon it, because you will suddenly have all the energy and imagination you will ever need.
Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world.
Ideas come from ordinary, everyday life. And from imagination. And from feelings. And from memories. Memories of dust in my sneakers and humming whitewalls down a hill called Monkey.
I look back into past history, the stored experiences or products of the imagination. I look no further forward than the evening.
Fiction reveals truths that reality obscures.
The past is really almost as much a work of the imagination as the future.
Storybooks were always a big part of my imagination, and my childhood and adolescence.
My identity is linked to my grandmother, who's pure Filipino, as pure as you can probably get. And that shaped my imagination. So that's how I identify.
We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.
There's no environment. Use your imagination. There's no fourth wall, whether it's the first time you've told this story about her life, or the sixth time.
Given free rein, our imagination can get infinite.