I feel like you don't know if someone's equipped for a romantic relationship until they're out of their twenties.
I think romantic comedy, when done right, is my favorite genre. It's just a genre that's very human.
The American is wholeheartedly for love and romance at any cost.
I'm not really interested in doing a traditional romantic comedy where everything ties up neatly.
I got married in Florence, Italy. My husband and I were in love but totally broke, so we eloped and got married in Italy, where he was going on a business trip. We had to pull a guy off the street to be our witness. It was incredibly romantic. Florence is still one of my favorite cities in the world.
I would like to do maybe a smaller romantic comedy.
Before I became a suspense novelist, I wrote romantic suspense as Alicia Scott.
The city of Oia is the most magnificently romantic place I've ever been.
I always really loved soul music but all my friends were into the new romantic scene. I'd go to new romantic clubs and then go home and listen to soul music. I was sort of ashamed of listening to disco and soul music!
Romantic music really stirs my soul. And, of course, I love Chinese music; it makes me feel closer to home.
I want to do action, romantic comedy, and I love drama.
In the movies, Bette Davis lights two cigarettes and hands the second one to James Cagney. It was just so glamorous and romantic.
There is no instinct like that of the heart.
We all want to be carried away to a whole other world and have romantic tendencies about escaping to an exotic place and being swept off our feet.
I bought a selection of short, romantic fiction novels, studied them, decided that I had found a formula and then wrote a book that I figured was the perfect story. Thank goodness it was rejected.
If you're a woman and a guy's ever said anything romantic to you, he just left off the second part that would have made you sick if you could have heard it.
I'm a very loyal boyfriend. I'm a bit of a joker... I can be romantic, but not too sickly.
'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hides the worst of human behavior.
The prince in 'The Leopard' was a very complex character - at times autocratic, rude, strong - at times romantic, good, understanding - and sometimes even stupid, and above all, mysterious.
We are each of us angels with only one wing, and we can only fly by embracing one another.
I like to swim a lot, while Stjepan likes to take long walks with girls. He's the very romantic type. Yes, musicians are romantic.
My goal on my bucket list is to write a romantic comedy movie.
Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
We are all the heroes and heroines of our own lives. Our love stories are amazingly romantic; our losses and betrayals and disappointments are gigantic in our own minds.
A man's kiss is his signature.
Romantic lovers require from each other at least the facade of reason: We desire to be what romantic love makes us appear in the other's eyes. We want to imagine we are deserving of the love we inspire.
I can't ever see myself playing the romantic lead because that's not me; I'm not that girl.
I am a hopeless romantic who falls in lust and gets in trouble. I love my work and am very productive, yet I always find time to play.
The underdog winning is the romantic position.
A lot of the scripts I read and the characters I get are 'the girl' in romantic films, and I don't know how comfortable I am, or the world is, with me being that.
I've had fun doing romantic comedies, but I just can't anymore. There's nothing fulfilling creatively, there's nowhere to grow, nothing to learn from it or for yourself. I'd rather just be home with my family or write music until that special project comes my way.
I've always considered myself a fairly romantic person. I believe in love and falling in love at a young age.
I love melodic tunes and I think Kannada listeners have an ear for romantic songs.
Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
Assume everything you put on the Internet can and will be seen not only by the person you're talking about, but your future romantic partners and bosses, too.
Grunge is a hippied romantic version of punk.
In real love you want the other person's good. In romantic love you want the other person.
I want to do more action adventures and more romantic comedies.
Far too many girls' and women's romantic relationships are formed around a negation of their own worth and attributes rather than a confirmation of them.
You only need to look at Jane Austen to see how crossed wires can become a defining aspect of romantic life. Then again, if the course of true love ran more smoothly, it would have a terribly detrimental effect on our cache of love stories.
Mixed messages are just part and parcel of the romantic terrain, and rather than berate yourself for any crossed wires, you'd do better to work on your future resilience.
Girls have a tendency to take responsibility for romantic misinterpretations, when often it's men whose perfectly honed emotional inscrutability makes life more complicated than it should be.
Romantic comedies seem to take over where the fairytales of childhood left off, feeding our dreams of a soulmate; though, sadly, the Hollywood endings prove quite elusive in the real world.
Since so many romantic comedies vary little in their storyline, the success or failure of such movies depends largely on whether we believe in the relationship of the protagonists.
I am a romantic person and maybe have this Hollywood perception of love... but then, it's never really like the movies.
When most people set out to change their lives, they often focus on all the external stuff, like a new job or a new location or new friends or a new romantic prospects and on and on. The reality is that changing your life starts with changing the way you see everything in your life.
I'd always thought hurricanes were romantic, with pretty feminine names like Celestine.
Choosing sepia is all to do with trying to make the image look romantic and idealistic. It's sort of a soft version of propaganda.
The curse of the romantic is a greed for dreams, an intensity of expectation that, in the end, diminishes the reality.