Danh ngôn của John Lasseter
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
Tôi yêu thích thiết kế ô tô của Pháp đầu thập niên 50, 60, đầu thập niên 70 của Citorens, Renault và Peugeot. Chúng thật độc đáo.
Tác giả: John Lasseter | Chuyên mục: Design | Sứ mệnh: [2]
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Các câu danh ngôn khác của cùng tác giả: John Lasseter
- The art challenges the technology, and the technology inspires the art.
- There is such amazing talent at Disney. My job is 100% creative, and I am very excited to creatively lead them.
- If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
- Everything I do and everything Pixar does is based on a simple rule: Quality is the best business plan, period.
- Computers don't create computer animation any more than a pencil creates pencil animation. What creates computer animation is the artist.
Các câu danh ngôn khác của cùng chuyên mục: Design
- I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
- What's nice about experiments is that they are much more closely tied to what theorists think about the world than normal empirical research. You can design your experiment to exactly ask the question you want to ask. This is not true about normal empirical research.
- Every step and every movement of the multitude, even in what are termed enlightened ages, are made with equal blindness to the future; and nations stumble upon establishments, which are indeed the result of human action, but not the execution of any human design.
- Flawed Design' is a song on the record and it explores why people feel a need to present themselves maybe not necessarily as what they actually are. It seems like in society, a lot of people want to be or try to be perfect.
- I wrote a song on the record called 'Flawed Design' and it's basically looking at that, and it was just exploring how everybody obviously has flaws. I think to embrace those flaws - enjoy them, embrace them - and actually be a real person is something that a lot of people struggle with, myself included.