Danh ngôn thuộc danh mục: architecture

Blockchain technology isn't just a more efficient way to settle securities. It will fundamentally change market structures, and maybe even the architecture of the Internet itself.

I love the South Bank: every era of architecture is there, and you can stop, look, and listen.

The Internet is probably the most important technological advancement of my lifetime. Its strength lies in its open architecture and its ability to allow a framework where all voices can be heard.

The work of art shows people new directions and thinks of the future. The house thinks of the present.

Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.

I would hope that the Government would still support those small, struggling independent theatre companies and also maybe look to the built architecture of the theaters because we can't let them get into disrepair. They are part of the fabric of the country.

The Frank Matcham theaters in the West End in particular are incredible pieces of architecture.

To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.

I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.

In fact, it will be very easy to climb the building because of its shape and architecture.

I didn't even have a clear idea of why I wanted to go to Oxford - apart from the fact I had fallen in love with the architecture. It certainly wasn't out of some great sense of academic or intellectual achievement. In many ways, my education only began after I'd left university.

Architecture students are generally given theoretical projects, often located at distant locations, and told to come up with a design.

I work in a dramatic context, meaning we write with a lot of character specifics, a lot of story specifics. There's a lot of architecture in our songs.

I was always really geeky about design and buildings. Always into architecture as a kid.

I've always known I wanted to be in design somehow. It was going to be architecture, but I would've had to quit acting for it. I realized with horology, I could learn at my own pace.

The visual architecture of 'Biutiful' is the most sophisticated of all the films I have directed.

I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.

I have designed the most buildings of any living American architect.

I am but an architectural composer.

I love '70s organic architecture. I am very influenced by the time when I grew up.

In general, Tor architecture is not suited for protecting anonymity of long-term, popular web services.

In a place like the Greek Theater in L.A., to try and create a close connection with the audience seems almost antithetical to the architecture of the building.

What makes Burning Man special is the location: a 9-mile circle of gypsum, an ancient dried ocean bed. The ground is like a flat crust with no plants or insects, a perfect outdoor gallery for monumental interactive sculpture and architecture.

I take a lot from everywhere. I take from music, architecture, novels, and plays. Anywhere that hits you.

You don't need to go to Rome, Prague or Vienna to find wonderful architecture, amazing stories and suprising, hidden gems.

If I weren't involved with food, I'd be working in architecture. Design is that critical to me.

I have a huge love for architecture.

Building art is a synthesis of life in materialised form. We should try to bring in under the same hat not a splintered way of thinking, but all in harmony together.

Nothing is as dangerous in architecture as dealing with separated problems. If we split life into separated problems we split the possibilities to make good building art.

We should concentrate our work not only to a separated housing problem but housing involved in our daily work and all the other functions of the city.

God created paper for the purpose of drawing architecture on it. Everything else is, at least for me, an abuse of paper.

The ultimate goal of the architect...is to create a paradise. Every house, every product of architecture... should be a fruit of our endeavour to build an earthly paradise for people.

Architecture belongs to culture, not to civilization.

Architecture is not merely national but clearly has local ties in that it is rooted in the earth.

Just as it takes time for a speck of fish spawn to develop into a fully grown fish, so, too, we need time for everything that develops and crystallizes in the world of ideas. Architecture demands more of this time than other creative work.

The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture.

What makes 'The Marriage of Souls' such a wonderful book is Collins's intricate reconstruction of the late eighteenth-century world. Simplicity and philosophy are the hallmarks of eighteenth-century art and architecture. The classically pure lines look deceptively simple and unburdened by heavy symbolism or imagery.

Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.

In retrospect, the pace of change in the arts and industry in the nineteenth century seems pretty glacial. Painting, music, the novel, architecture were all evolving, but at a pretty observable pace.

After I finished school, I went to JJ College of Architecture and then to Harvard. I did my B.A. with a major in filmmaking.

I grew up in Romania studying art and architecture.

India - I've always felt at home there. Delhi and Mumbai and the Taj Mahal are all incredible - but it's the people I love. Indians are so interesting and accommodating and friendly. The best hotel I've stayed at there is the Rambagh Palace in Jaipur: its architecture is unbelievable.

Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.

I loved medieval architecture when I was very small; I don't know why.

It was nice to finish up Stanford. I think I always felt that I would be there for four years and graduate, and definitely didn't want to leave early. A degree was definitely a plus, and I was having a lot of fun in school. But after football, you know, I don't know. I really did enjoy studying architecture; it was a blast.

Perhaps because my town was so naturally gothic in its architecture and relative isolation - the roads often closed in winter - my stories tended toward the ghostly and the creepily suspenseful right from the get-go.

Chicago is a city built on architecture, and there are plenty of buildings to scale.

One my favorite things is to go to the provinces of Russia and see the 18th century wood churches with the onion dome architecture. These humble wonders of incredible imagination of architects that were obviously not living in places like Paris or London, but they've created these amazing churches.

I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.

Architecture is about aging well, about precision and authenticity. There is much more to the success of a building than what you can see. I'm not suggesting that gestural architecture is always superficial, but solid reasoning has its place.