When you have rules to abide by, does that curtail you as a designer, or set you free? People think of classical architecture visually, but I think the brilliant part of it is actually spatial.
There's no architect who doesn't want to build a library - and I am no different. With so much scrutiny now attached to reading - because of technology and how we approach it as a social activity - that is a very exciting area in architecture.
Tension is an interesting quality - and architecture must have it. There should be elements of the inexplicable, the mysterious, and the poetic in something that is perfectly rational.
The secret of good architecture is having more than meets the eye.
Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth.
I am not an enthusiast when it comes to cities, preferring rolling scenery, wildlife and stars to museums, monuments, architecture and traffic.
The original Heart logo was made back in the real early '70s by Mike Fisher, who I used to be in a relationship with. He was first our manager and then our soundman. When I met him, he was in design school for architecture, so he was always drawing.
I'm not an interior decorator; I'm a designer, and that includes the architecture. The package must be strong and controlled, the rooms aligned, and the windows positioned to make sense with the furniture. Fluff it up, and you've got big trouble.
Charles was very intent to use his years as Prince of Wales to make his mark while he still had freedom of maneuver that he wouldn't have as King. The first subject he really went for was architecture. It made an impact.
Architecture is a ride - a physical ride and an intellectual ride.
I like to think about machines and technology in relation to landscape and architecture.
Underwater, I experience space with my body. I'll see a school of fish gathering and moving together and I'll exclaim, 'This is architecture.'
I didn't know what architecture was except that I lived in a house. I don't even think that I knew the word for a long time. My dad funneled me into engineering because it was his background.
A building that has great environmental responsibility is a political animal in a way because it becomes promotional of a cause. I think that kind of advocacy through architecture is really good.
The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.
Color in certain places has the great value of making the outlines and structural planes seem more energetic.
Those who look for the laws of Nature as a support for their new works collaborate with the creator.
I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as a place.
And when an architect has designed a house with large windows, which is a necessity today in order to pull the daylight into these very deep houses, then curtains come to play a big role in architecture.
Architecture tends to consume everything else, it has become one's entire life.
I don't see that any buildings should be excluded from the term architecture, as long as they are done properly.
If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect's task - his most difficult task - is always that of selecting.
In addressing a task, one almost always has several possible options, sometimes only a few, and they may all be practical and functional. But they lack the aesthetic aspect that raises it to architecture.
Proportions are what makes the old Greek temples classic in their beauty. They are like huge blocks, from which the air has been literally hewn out between the columns.
Architecture doesn't come from theory. You don't think your way through a building.
Does an architecture to assuage the spirit have a place?
Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
The details are the very source of expression in architecture. But we are caught in a vice between art and the bottom line.
The new architecture of transparency and lightness comes from Japan and Europe.
The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.
We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
Whenever we witness art in a building, we are aware of an energy contained by it.
I was a student at Columbia College, actually, in the Architecture school. Paul would drive in from Queens, showing me these new songs. I can't remember us working it out.
This is a look, a part of Australia we don't see. The wide streets, the architecture, the embassies, the space. It's really beautiful and there's a feel to Canberra that is different to any other city.
Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.
A building has integrity just like a man. And just as seldom.
I don't build in order to have clients. I have clients in order to build.
I quit college. I was studying architecture for about a year.
Melrose is the finest remaining specimen of Gothic architecture in Scotland. Some of the sculptured flowers in the cloister arches are remarkably beautiful and delicate, and the two windows - the south and east oriels - are of a lightness and grace of execution really surprising.
When you found a company, you have the original vision, you make all the original decisions, you know every employee, you kind of know every aspect of the product architecture and its limitations.
At this present time, matter is still the best way to think of architecture, but I'm not so sure for very long. The computer is radicalizing the way we think about our world.
If you're into architecture and you're from the West, everything is hors d'oeuvres for working to rebuild the Temple. Ultimately you're led there. You can't escape it.
You can just drift unhappily towards this vision of heaven on earth, and ultimately that is what architecture is a vision of: Heaven on earth, at it's best.
My mother took me to Venice one time and showed me all the houses where famous composers used to live. It gave me a fascination for music and the city, but also for architecture. It was a valuable lesson.
What has happened to architecture since the second world war that the only passers-by who can contemplate it without pain are those equipped with a white stick and a dog?
My apartment reflects my views as an architect. It is minimal, austere. The architecture doesn't impose itself upon you. The apartment is a stage for other things to take place.
I never talked about architecture with my father, which I regret.
The general public will almost always stand behind the traditionalists. In the public eye, architecture is about comfort, about shelter, about bricks and mortar.