Architecture should be rooted in the past, and yet be part of our own time and forward looking.
Architecture has joined the world of fashion, but fashion is passing and architecture is timeless.
The organizational architecture is really that a centipede walks on hundred legs and one or two don't count. So if I lose one or two legs, the process will go on, the organization will go on, the growth will go on.
In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
I was always fascinated by graphic art and typography and architecture. And so I was constantly cutting things and making blocks and making buildings out of shoeboxes.
You don't need to spend a lot of money on stuff when you have amazing architecture.
Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
The Ambedkar park represents modern Lucknow. It might not have the stature of a historical monument like the Taj Mahal, but it has an architecture which doesn't fail to impress.
In L.A., cinema and television might be seen as more interesting places for architecture than ever before.
I don't separate architecture, design, or culture. What's more important is a language of creativity that carries meaning.
In the United States alone, 450 billion square feet of glass facade is produced every year. What if we could take this chance to use the glass to harness solar energy and allow the architecture to respond to the light and heat of the sun, to create photosynthesis and generate solar energy?
I grew up in a modernist house, in a modernist culture. There was a love for modernism everywhere - the furniture, the books, the food, even the cutlery. So I learned very early to appreciate the value of design and the value of architecture.
Forms in nature are a byproduct of a reciprocal action between a given material and the conditions of the environment. But in architecture, the process is the direct opposite: First you decide on the form, and then you think how to build it in reality.
I object to the hegemony of form in contemporary architecture. We have very advanced technological tools, but ultimately, we create buildings exactly like we used to before: We send the drawings to an engineer and let him struggle with figuring out how to build it.
The British political system and the whole clapped out Westminster architecture, and the language that we use about politics, it's completely unsustainable. You either decide to be part of that transition to do something different. Or you cling to old certainties.
Amsterdam is such a fun, cool place, and it's very Instagrammable with the canals and the boats and the flowers and the architecture. It's amazing for outfit of the day shots.
I'm very interested in architecture.
There's a Danish architecture firm called BIG. I love architecture, and I always check out their work; they're very good at reimagining the way we live. They put the human experience as the focus, with access to air and outdoor space.
There's a snobbery at work in architecture. The subject is too often treated as a fine art, delicately wrapped in mumbo-jumbo. In reality, it's an all-embracing discipline taking in science, art, maths, engineering, climate, nature, politics, economics.
We literally see things so differently, all the architecture and stuff. That's the cool part about skateboarding. We're out there skating stuff that's not meant to be skated.
One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.
I'm so into this idea that the Internet was this reservoir of mythologies and histories, and the architecture of it being linked pages that create hard connections and bridges between ideas that shouldn't be linked.
I've never owned an Apple product. I like the fact that PCs are open architecture and not locked down like Apple products. I feel that Macs are also unjustifiably overpriced.
Architecture will always express the technical and social progress of the country in which it is carried out. If we wish to give it the human content that it lacks, we must participate in the political struggle.
I search for surprise in my architecture. A work of art should cause the emotion of newness.
Architecture is invention.
Architecture is my work, and I've spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.
It was the drawing that led me to architecture, the search for light and astonishing forms.
It is not with architecture that one can disseminate any political ideology.
I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
My interest in architecture has always been sculptural. Most of my photography is of architecture.
You don't have to spend much time in Shanghai before you start to get all existential about the meaning of authenticity. Did you know that Shanghai is building nine satellite towns, each designed to mimic the architecture and culture of a different country?
Shoe design is like architecture - with the finest structure and tight, precise seams, it suits my obsessive neatness.
People wouldn't know this about me, but I adore ball gowns. I love their cut, their architecture and the thought of the hands of so many seamstresses working on them.
But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God it's fantastic.
Jobs offshoring began with manufacturing, but the rise of the high-speed Internet made it possible to move offshore tradable professional skills, such as software engineering, information technology, various forms of engineering, architecture, accounting, and even the medical reading of MRIs and CT-Scans.
You get one chance to do something about native title. You get perhaps one chance in your life to do something about a republic. You get one chance, your chance, to build a piece of the political architecture in the Pacific. I wasn't going to give those up.
If I was influenced by anything, it was architecture: structure having to do with logic. If you don't do it right, the whole thing is going to cave in. In a certain sense, you can carry that to graphic design. Fortunately, however, nobody is going to die if you do it wrong.
The more centralized the power, the less compromises need to be made in architecture.
I am immersed in architecture all day, working in my office or teaching.
The problem with digital architecture is that an algorithm can produce endless variations, so an architect has many choices.
Architecture is definitely a political act.
I don't believe that classical architecture is enough to engage people anymore. They say: 'So what else is new?'
I truly believe that the great heroes that create the history of architecture are people who take risks and write to tell about it.
I love Chicago. It's one of the great cities. I'm crazy about the town. It reminds me of New York when it was at its best, the New York that used to be and is no more. I love the architecture, the old stuff and the new stuff.
When you are only one vendor, there is a very low rate of innovation. You think the old architecture is just fine, and it can just happily exist for many years.
I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.
There's a very important aspect to all my work, now more than ever, which is tying the interior design and architecture with the art.
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
Chandeliers are marvels of drop-dead showiness, the jewellery of architecture.