Personally, one of the greatest sources of inspiration for my work has been architecture. I've had the chance to see so many exquisite structures, whether they are historical monuments or modern commercial premises.
London, from the architecture to the culture to the fashion to the accents, feels like it's a special place.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
There are no rules of architecture for a castle in the clouds.
I was planning to go into architecture. But when I arrived, architecture was filled up. Acting was right next to it, so I signed up for acting instead.
I graduated from Wesleyan University with a B.A. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures.
Every one who has a heart, however ignorant of architecture he may be, feels the transcendent beauty and poetry of the mediaeval churches.
Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church.
The arts and crafts architecture of Letchworth and Welwyn Garden City is now hugely admired. Remember much of it was stimulated through open competition.
Throughout the ages it has always been possible to point to good and bad architecture.
You could spend your time with your nose buried in a guidebook, but Amsterdam really is best explored on foot, so you can stumble upon the city's hidden gems. The architecture and the beauty of some of the buildings is also wonderful.
What's interesting about architects is, we always have tried to justify beauty by looking to nature, and arguably, beautiful architecture has always been looking at a model of nature.
To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
It was my interest in happiness that led me to the subject of habits, and of course, the study of habits is really the study of happiness. Habits are the invisible architecture of everyday life, and a significant element of happiness.
A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.
A film carries six fine arts - it consists of architecture, painting, music, writing or literature, photography and performance. It's a conjecture of all these things and yet based on literature.
First, there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament, but are clearly revealed, a charm felt in Japanese architecture.
I am a failed architect, if I'm honest. I got a degree in art history and was about to get another degree, in architecture, but realized I would be terrible at building things because I've got really bad spatial awareness.
I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture.
I always point out to my Passover guests that the Hebrews were not living in isolation. They were at the crossroads of several great, elaborate cultures with their own mythology and religion and art and architecture and cultural belief. In fact, so many of the mythologies of the world describe the same events, just from different points of view.
The Romans were not inventors of the supporting arch, but its extended use in vaults and intersecting barrel shapes and domes is theirs.
After about the first Millennium, Italy was the cradle of Romanesque architecture, which spread throughout Europe, much of it extending the structural daring with minimal visual elaboration.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
As a designer, the mission with which we have been charged is simple: providing space at the right cost.
The art of dancing stands at the source of all the arts that express themselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite.
I don't find Hollywood interesting, so I'm thinking of studying architecture instead.
A city building, you experience when you walk; a suburban building, you experience when you drive.
Every building is a prototype. No two are alike.
I strive for an architecture from which nothing can be taken away.
It's my goal to make a building as immaterial as possible. Architecture is a very material thing. It takes a lot of resources, so why not eliminate what you don't need as long as you're able to achieve the same result?
The architecture profession has lost a lot of its integrity, especially in the USA. The general architect here has no scruples, no ambitions.
They can do without architecture who have no olives nor wines in the cellar.
Our overriding goal in restructuring our financial architecture should be that taxpayers never again have to save a failing financial institution.
Engineering, medicine, business, architecture and painting are concerned not with the necessary but with the contingent - not with how things are but with how they might be - in short, with design.
I came to London constantly, working with Ninja Theory on 'DmC Devil May Cry,' and I kind of fell in love with this amazing architecture, where you have these buildings that have clearly been around a long time, and they have this amazing gothic look, and then on the first floor, it's a McDonald's!
Grenfell, the building set on fire with the help of its own face, is a scene of a complex injustice: one that is moral, economic, political, and aesthetic. Not only was the cladding unsafe, it was ugly; not only was it ugly, it was untrue both to the architecture of the building it covered and untrue to its responsibility to human safety.
Architecture remains a passion and a subject I'm very interested in. I learned a great deal from studying it and working in it.
Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.
I haven't really got a green thumb, but I love gardens and their architecture.
Convinced as I am and as I am from my government that the world needs a new moral architecture over all I believe that this should be the first topic to debate in our world of today, ethics, moral.
I wanted to be a pilot, but I was always drawing bodies. When I realised I wanted to pursue something creative, my parents pushed me towards architecture.
The imperial vastness of late Roman architecture was made possible by the invention of concrete.
The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
Splendid architecture, the love of your life, an old friend... they can all go drifting by unseen if you're not careful.
I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
The Green Climate Fund is very much a strategic building block in the architecture for financing sustainable development.
Clothing has been called intimate architecture. We want to go beyond that.
It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to think about architecture and landscape.
Modern architecture needed to be part of an evolutionary, not a revolutionary, process.