Delay always breeds danger; and to protract a great design is often to ruin it.
If you look at WeWork as a brand I think the way we design has a more masculine vibe.
I don't start with a design objective, I start with a communication objective. I feel my project is successful if it communicates what it is supposed to communicate.
Internet safety begins at home and that is why my legislation would require the Federal Trade Commission to design and publish a unique website to serve as a clearinghouse and resource for parents, teachers and children for information on the dangers of surfing the Internet.
It was by design that we mostly used pictures that you could not necessarily see what was going on, and that didn't really focus in on the band, but instead focused in on a theme.
It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.
You can get a lot of design testing of your missile program, and you can do a lot of - there's other ways other than physically to develop your weaponization program to get you very close to the real deal.
I tried a dozen different modifications that were rejected. But they all served as a path to the final design.
To design is to communicate clearly by whatever means you can control or master.
Computers are to design as microwaves are to cooking.
I like the personality of the Belgians. They're deeply eccentric, which is something that comes across in their design - terrific.
Victor Papenack, who was teaching design, had his students making radios for a penny each that could be shipped to Third World people.
I'm completely taken and impressed by the planning authority of Singapore and its Urban Redevelopment Authority (URA). It's the most cutting-edge agency in the world. They have very effective guidelines for development, and they review design as it evolves.
Urban design as a discipline barely exists in most American and Canadian cities. In Singapore, there are innovative transportation strategies at work.
I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.
There's a fun, nostalgic aspect to Legos - people connect to the art on a different level. But it's also a medium that lets me design anything I can imagine. I especially enjoy creating curvy forms using rectangular pieces. Up close, you notice the sharp angles, but when you back away, the corners blend into curves.
Men are the weaker sex and retain their immaturity, it seems, to the grave. It's like a built-in design fault. You can't do anything about it.
I changed the layout of comic books in general. When I came in, layout design wasn't really part of what you did. It was all just panels, panels, panels. So when I came in, I thought, 'Nah, let's change that,' and I designed the page.
There has to be the popcorn genre element, or I don't engage the same way. I like action and vehicle design and guns and computer graphics as much as I like allegory. It's a constant balancing game. I want audiences to be on this rollercoaster that fits the Hollywood mould, but I also want them to absorb my observations.
I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror.
I always wanted to be a filmmaker and became one through sheer single-mindedness. I came to filmmaking from a background in graphic design. I went to film school at Newcastle Polytechnic.
In the end, it's clear that the incorporation of synthetic biology in product and architectural design will enable the transition from designs that are inspired by nature to designs made with and by nature to, possibly, designing nature herself.
A great dream of mine would be to run a design studio full of scientists who think about science as creatively as if they were doing art.
The world of design has been subjugated by the rigors of manufacturing and mass production.
The debate that I'm interested in having is with seriously smart people about how we design institutions in the 21st century that will genuinely address problems of poverty and educational underachievement.
I like playing sport. I'm a bit of a design enthusiast, and like spending time with my girlfriend and mates.
Great product trumps all. You can have the biggest marketing budget, the biggest show, a perfect merchandising plan, but at the end of the day, it doesn't mean anything if the design and quality of the product you are offering is not compelling.
Uniqlo as a company has always developed new fabrics and is always trying to be innovative. The design is simple, so the fabric is important.
I want young people to be able to buy into what I design. When I was young, I wanted to buy designer brands even if all I could afford was the cheapest wallet, the cheapest pen, the cheapest T-shirt because I wanted to be a part of it.
When we were in the design studio I always was pretending like I was in a closet asking my friend before I step out into the world what do I look like? And everybody wants that honest friend before they go and go to dinner or go to an event.
I am extremely involved in the design process of both my brands, Winter Kate and House of Harlow 1960.
I was very much inspired by the things that I'd seen and done in politics, but I was also desperate for a complete departure from the reality of my political experience. 'It's Classified' and my previous book 'Eighteen Acres' are both works of fiction, but if they do seem realistic, it's by design.
A good designer must rely on experience, on precise, logic thinking; and on pedantic exactness. No magic will do.
But active programming consists of the design of new programs, rather than contemplation of old programs.
Clearly, programming courses should teach methods of design and construction, and the selected examples should be such that a gradual development can be nicely demonstrated.
The very design of neoliberal principles is a direct attack on democracy.
I'd love to design a school.
Everything we design is a response to the specific climate and culture of a particular place.
I describe the design process as like the tip of the iceberg. What you don't see is the long haul: all the endless auditing and things like that.
When the Great Fire of London destroyed most of the medieval city in 1666, Christopher Wren was invited to design a new one. Within days, he had drawn up an elegant grid of broad boulevards leading to majestic squares, but it came to nothing - the existing landowners wanted things as they had been.
English is taking over the world. I just wrote a piece about it. And it's not by design. The United States dominates because it's the biggest market.
Last year, Congress gave the Department of Defense the authority to design a new civilian personnel system for its employees as part of the defense authorization bill.
With couture, you feel obligated to design something modern each season, but with Theyskens Theory, I don't question anything. I'm thinking of what I'd like to wear.
I am interested in the idea of 'taste.' And by 'taste,' I mean opinion, inspiration and the craft of creating a personality through fabric and design.
The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence.
AI works really well when you couple AI in a raisin bread model. AI is the raisins, but you wrap it in a good user interface and product design, and that's the bread. If you think about raisin bread, it's not raisin bread without the raisins. Right? Then it's just bread, but it's also not raisin bread without the bread. Then it's just raisins.
In just six weeks from the time the design was started, we had the motor on the block testing its power.
I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
I love math. I have little secret number tattoos everywhere. I design them.
We have to design a health delivery system by actually talking to people and asking, 'What would make this service better for you?' As soon as you start asking, you get a flood of answers.