Danh ngôn thuộc danh mục: design

The details are not the details. They make the design.

Recognizing the need is the primary condition for design.

To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need.

Eventually everything connects - people, ideas, objects. The quality of the connections is the key to quality per se.

A person should design the way he makes a living around how he wishes to make a life.

I had always wanted to expand to beauty, but I knew I wanted to be able to translate my design aesthetic in an authentic way.

I really liked the design of Batman. I liked the concept. There's a lot more you can do with Batman than most other superheroes.

When I am true to my inspiration, even fight for my design, the project always turns out well.

They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese.

French design hardly exists, except as artificial modernism.

For me, I am still very happy to be able to do stage design as it's an opportunity to express the extreme.

I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know 'Vogue' existed when I was growing up. 'Vogue,' what is that?'

A shoe is not only a design, but it's a part of your body language, the way you walk. The way you're going to move is quite dictated by your shoes.

I have no problem with the idea of comfort, but it is not an important thing aesthetically. If you look at a shoe and immediately say it looks very comfortable, in terms of design, it is not going to excite me. Of course, I am not putting nails in my shoes to ensure everybody is in pain, but a heel is not a pair of slippers and never will be.

I'd already decided I wanted to design shoes after I saw a sign in the Museum of African and Oceanic Art forbidding high heels. Well, who could resist?

I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.

I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.

I'm a designer, and I think if you work in fashion, you have to give people fantasy.

At age 12 or 13, I wanted to design for showgirls - for the theater!

It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.

Once you understand this way, you will be able to make your room alive; you will be able to design a house together with your family; a garden for your children; places where you can work; beautiful terraces where you can sit and dream.

Sacred spaces can be created in any environment.

I enjoy trying to inspire myself. I enjoy the artistic side of everything. Music, art, fashion, everything. I just like to be on the cutting edge of it. I'm into designing houses and interior design. I like change. I like creating things out of nothing.

I'm into designing houses and interior design. I like change. I like creating things out of nothing.

I design my start-up ventures around my own personal beliefs and values.

When we launched If WeRanTheWorld, I said to my team, I want us to innovate in every aspect of how we design and operate this as a business venture, as much as the web platform itself - because I want us to design our own startup around the working lives that we would all like to live. Women and men alike.

I've learned a tremendous amount over the years by watching designers work. I now have a good understanding of what sits well on the body, not to mention the importance of a great cut and quality.

I design for myself and the first question I ask is, 'Would I wear it?'

I love fashion, and I've always wanted to do costume design, but I'm in jeans and T-shirts most of the time.

Design, in its broadest sense, is the enabler of the digital era - it's a process that creates order out of chaos, that renders technology usable to business. Design means being good, not just looking good.

I'm not the expert on the great gameplay. I come in for the character design, monsters, atmosphere. I'm not the technician.

Fashion fades, only style remains the same.

The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all.

I love graphic design. I love working with design, and I love storytelling, so I've been working on a children's book for a while, and I'd like to see that through.

Stargate by far is the top of the pile when it comes to Sci-Fi. The quality is great. They have really good writers, production design, lighting, wardrobe.

I think design means, for me, almost when man, back in time, decided to do something conscious. You know... to shape something and make something different from just using things that were lying around. So whoever designed the wheel were onto a good thing.

Being a sculptor who uses found objects, all the objects I use in my work have been designed by other people. So I'm tweaking them in some way by squashing them or throwing them off cliffs! Then I formalise my damage by suspending them or arranging them in some kind of way. So I'm using other people's design in a way, so I'm an 'un-maker.'

Through our evolution, we're so specialized for social interaction. So, if you can really design robots that can interact with people, in this very natural, interpersonal way, I think that would be great. You wouldn't have to have people read manuals, in order to operate them.

I try to look at design from a more conceptual standpoint.

Art has definitely influenced how I think of design, both as individual items and as a body of work.

I studied literature design and fashion design.

Wherever there is a design that is highly successful in a broad range of similar environments, it is apt to emerge again and again, independently - the phenomenon known in biology as convergent evolution. I call these designs 'good tricks.'

Studying design has made me a much, much more astute observer of this aspect of business. And I'm working mightily to improve my empathic skills. I've dramatically improved my ability to read facial expressions - and I'm trying to be a better, more attentive listener.

An image is not simply a trademark, a design, a slogan or an easily remembered picture. It is a studiously crafted personality profile of an individual, institution, corporation, product or service.

The federal debt in this country is principally of Republican design.

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

And then, build a bustling wonderful city of the 21st century, with a restoration of a spectacular skyline, which Manhattan, of course, needs. So, that is really the design as a whole.

I would never design anything. I just think that's kind of wack. I hated every rapper fashion line that ever came out, you know what I'm saying? I would never try.

I didn't want to be an actor. I wanted to design historical movies like 'Ben-Hur'. I saw this as my life.

For all the drama we all have with our families and all the tension and hostility, I couldn't have done this without my family. Being the people that they are - they're crazy - made it possible for me to be crazy and to live a lifestyle of my own design.