Danh ngôn thuộc danh mục: design

And just when we were at the end of our design process there was the news that the Italian government and the U.S. government had signed an agreement to fly the first Italian astronaut on that flight.

I wanted to be a decorator. I wanted to interior design homes and do everything myself.

I am always locked in my design studio.

Even as a young boy, my passion was to design, and I have been very lucky to be able to do what I have loved all my life. There can be few greater gifts than that.

All those lessons that I've learned on the court, I have applied them to my life outside of the court in business, my company, called V Starr interiors, an interior design company, and EleVen, which I wear on court.

My style is kind of eclectic and I don't like to do the same thing over and over again. I like to have fun and explore myself so you won't see the same design.

The principle of the design - the harmony, rhythm and balance are all the same with interior and fashion design.

I love design.

All those years of skating and dancing have carried over. I can't design anything without thinking of how a woman's body will look and move when she's wearing it.

I like the gritty parts of fashion, the design, the studio, the pictures.

Let's be realistic, how many people are buying a $2,000 skirt? I love to design things that people can actually buy. I'm staggered by what a boot costs today.

I love to design things that people can actually buy. I'm staggered by what a boot costs today.

My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don't often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.

There are professions more harmful than industrial design, but only a few.

The only important thing about design is how it relates to people.

Design, if it is to be ecologically responsible and socially responsive, must be revolutionary and radical.

My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.

I oftentimes say that I design my collections off my phone. I'm in a group chat with my team in Milan. I copy and paste. I draw. I look at trends. I don't really have an assistant. It's a modern way of working. I don't know if it's sustainable, but it's how I do it.

I have too much product, and I'm trying to rein it in and sell more of my main collection. I wish you didn't have to design so often; it would be good if you could keep on selling the same things for a few years and not have to do new things all the time.

I wish you didn't have to design so often. Try to do quality and cut down on quantity. I think fashion is very, very important.

The thing that makes my clothes really different is that, number one, they are really great designs; they're not tacky; they are very professional; the design is made from lots of decisions.

I design things to help people to hopefully express their personality.

The roundness of life's design may be a sign that there is a presence beyond ourselves.

You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.

Computers are scary. They're nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design.

Intelligent design, unlike creationism, is a science in its own right and can stand on its own feet.

Precisely because intelligent design does not turn the study of biological origins into a Bible-science controversy, intelligent design is a position around which Christians of all stripes can unite.

There is an immediate payoff to intelligent design: it destroys the atheistic legacy of Darwinian evolution. Intelligent design makes it impossible to be an intellectually fulfilled atheist.

Give us detailed, testable, mechanistic accounts for the origin of life, the origin of the genetic code, the origin of ubiquitous bio macromolecules and assemblages like the ribosome, and the origin of molecular machines like the bacterial flagellum, and intelligent design will die a quick and painless death.

I wear a lot of different hats - from writer to producer and artist. We all do 5 or 6 jobs, everything from creating our own graphic design to actually recording and the whole bit.

Designs in connection with postage stamps and coinage may be described, I think, as the silent ambassadors on national taste.

I like the idea of people who've had some success in one form secretly wanting to be something else; I have some of that myself. I look for it in other people who've established themselves in some particular art form, and then you find out that they really would like to design running shoes, or edit literary magazines or something.

I would like to design what people generally call streetwear. I'd like to dress skateboarders, or whatever the older equivalent of skateboarders are. I pay more attention to that stuff than anyone would ever imagine because I'm watching what the designers do.

I am interested in computers and technology, and art, photography, and design.

Design is inherently optimistic. That is its power.

I had talked for years about doing a restaurant with Rocky Dudum, who's been my friend since I first came to San Francisco. Then Rocky's son, Jeff, said he wanted to design it, so he traveled around the country to sports restaurants like Mickey Mantle's and Michael Jordan's, and he came up with a great concept.

Your neighbors will be envious of your 3D printer - and if they're not, just print new neighbors. Design them so they'll like to bring you pies, maybe, or want to do your yard work for you.

Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.

I believe consistency and orthogonality are tools of design, not the primary goal in design.

Actually, I didn't make the claim that Ruby follows the principle of least surprise. Someone felt the design of Ruby follows that philosophy, so they started saying that. I didn't bring that up, actually.

Design certainly has a cosmetic, aesthetic aim. It always aims at making things beautiful. But relevance is just as important. I often say, 'If it isn't ethical, it can't be beautiful. But if it isn't beautiful, it probably shouldn't be at all.'

Design needs a new relationship with the world, one that is more focused on our planet's needs.

When clients come to my design agency and say 'I want to be the Apple of this or that,' we say 'Okay, are you ready to be the Steve Jobs?' Few are up to the task.

My mantra is: 'Good design accelerates the adoption of new ideas.'

What I learned from my years in Silicon Valley is that design can have a primary role in how a business is shaped, how a company can be design-driven. In my experience of large industry in Europe, that knowledge has been lost.

Design is a tool that either allows us to create new markets or disrupt existing ones.

The best design work is really done when you spend more time with people, when you have the opportunity to be of the same mindset and the same incentives as the founder of the business.

I think every business, really, has a unique reason for being, unique assets, unique attributes, a unique history. And that can be turned into a very attractive design story, essentially, that consumers can relate to.

I am very happy to design haute couture. It's a love story between couture and me.

The big difference between couture and ready-to-wear is not design. It is the fabrics, the handwork, and the fittings. The act of creation is the same.